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I envision this timing likely established during the Palladium era yet I have not validated that. Eddie Torres started showing and promoting this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dance educator, that assisted him establish his technique and timing.

The story I'm consistently informed below, that still needs additional investigation, is that as salsa started getting to new audiences beyond the Caribbean and New York, it was easier and extra intuitive to educate social outsiders to dance On1 instead of On2. This story does not account for the fact that I've listened to Rueda de Gambling establishment was originally danced a tiempo On3 in Cuba.

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Salsa On1 is just one of different salsa timings you can dance to and it is one of the most usual timing you'll find in the world today. Salsa On1 timing definition: "On1" suggests you begin dancing on the very first beat of the bar of music the 1. Your break steps (direction changes) are on beats 1 and 5.

The exceptions I have actually located so far, where On2 is most common, would be around New York and in South Korea (Salsa Dance San Francisco). I'm sure there are other areas that dance mainly On2 but I haven't danced in every nation! If you're not sure what timing is most typical where you live, ask your regional dance studio

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When somebody states "I dance salsa On1" they probably suggest "I dance direct style salsa On1" (although you can dance any type of style of salsa On1, individuals normally indicate linear design). Do not fret if you've claimed these things in the past, it's all excellent we all have! The vital thing is to bear in mind there's a distinction between style and timing and deepen your understanding so you can be extra precise when discussing salsa with your buddies.

It attaches nicely with the wording in the music, specifically the piano, and other percussion instruments like the cow bell and giro. Timing and design are two various points, so separate the concepts when you speak about salsa with your pals. No matter Learn More of what timing is most common in your area of the globe, remember you can technically dance any kind of style of salsa to any type of timing discover and appreciate! Want more? Look into this deep dive on the distinction between dance salsa On1 vs On2 when dancing a tiempo.

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Although there is an initial mambo dancing that came from Cuba and afterwards infected Mexico and New York in the 40s and 50s, these days when a person says "I dance mambo" they mean salsa On2, which is various than the initial mambo dancing. The sporadic free-from actions of the initial mambo were danced solo.

As the dancing began to spread, On1 timing began to end up being prominent. Salsa On2 interpretation: "On2" implies you begin dancing on the very first beat of the bar of music the 2.

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A whole lot of professional dancers enjoy dancing On2 for the diverse methods you can link to the songs. Boy cubano is the music and dance that preceded mambo and salsa.

It links well to the clave, bass and conga - Bachata Dance San Francisco. Cha-cha is similar to dancing On2 contratiempo but you add the three-way action on 4 and 8. Danced to the exact same beats as On1, your break actions are currently on 2 and 6, which transforms the feeling of the dancing.

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This timing is practically similar to contratiempo On2 yet the steps that are usually on 4 and 8 are on 4. It's nearly like a timing in between a tiempo and contratiempo.

5 rather than 5) you're dancing this syncopated timing. If you're dancing contratiempo and you step half a beat late in the home position (on 4. 5 rather than 4) you're dancing syncopated timing. In truth it seems it's frequently danced as kind of a "mistake" for anybody dancing the previous two timings.

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As discussed previously, this was the initial interpretation of dancing on clave (son clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to align as lots of steps of your basic as feasible with the strikes of the child clave.

Things concerning songs and dance is that there is no right or wrong. There is simply interpretation. You can dance on any kind of timing you like! Naturally, individuals have located a method to dance on virtually every timing feasible to child and salsa songs. People dance On3 for the very same reason you dance On1 due to the fact that it stresses the strong beats of 1-3-5-7.

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Let's check out the beats you dance On1 to: -2-, -6- (solid beats remain in bold) Let's check out the beats you dance On3 to: -4-, -8- (solid beats are in bold) Notice exactly how the solid beats are spaced exactly the same for On1 and On3? All you do is begin tipping On3 rather of On1.

That's why dancing On3 is so common in Latin America. People either Attempt to dance On1 yet begin tipping On3 by accident and it works out just fine, or They don't understand much concerning timing and are simply interpreting what they hear in the music, based on their experience maturing in a culture with salsa.